He’s rude, crude, lewd, and repulsive. He’s Kenny (censored)ing Powers. And he’s back for a new season of Eastbound and Down. Check the preview trailers here!

Modern Family: In Asgar Farhadi’s A Separation, a family falls apart and a child falls from grace in a testament to the bonds between a father and daughter
Director Asghar Farhadi’s A Separation, about the consequences in a middle-class Iranian family when the parents decide to split, which reverberate in their community, could easily be [...]

As a cultural document A Separation is invaluable—it really is a bridge to modern Iranian society that very purely focuses on the dynamics of one family, any family, just like yours and mine.

As a portrait of woman on the verge of collapse, We Need to Talk About Kevin, rendered by a director and actress at their respective peaks, is a masterful character study.

Perhaps the issue is Close, straight-jacketed with a character who keeps everything so close to the vest (or under it), so on the down low and so minimal, that Albert is nearly inaccessible.

Extremely Loud and Incredibly Close touches us even though ultimately it doesn’t quite get where it’s going.

ABC’s 2nd year sitcom successfully re-quirks the “bunch of friends” genre.

Carnage is a blackly funny, mean, fast game of verbal one-upsmanship, and gives us great actors at the top of their games.

With so much discussion today about high school bullying, the pressure to conform and the painful pressure to simply be oneself—in this case a dual minority—filmmaker Dee Rees’ semi-autobiographical film is a compassionate, fully felt and lovely coming of age story with an unlikely, yet highly likable, protagonist.

In the new adaptation of John le Carré beloved Cold War thriller Tinker Tailor Soldier Spy, Gary Oldman delivers an engrossing performance as George Smiley, the retired head of the British secret service, who goes back into the fray to hunt a Russian mole hiding somewhere within the establishment.